How many times in the past 17 years since “Bad Boys II” have you heard, “They really need to make a Bad Boys III?” You can’t help but wonder after the string of disappointments bearing Will Smith’s name (“Gemini Man,” “Bright,” “Collateral Beauty,” “Concussion,” “Focus”) if he’s simply reviv…
Academy Award-winning director Sam Mendes (“American Beauty”) has a somewhat erratic filmography.
Thanksgiving coming later in November reduced the number of shopping days before Christmas if you didn’t notice. Awards season is also feeling that truncation as The 92nd Academy Awards have moved up nearly a full month to Feb. 9.
“Short and spicy,” “married or dead”... those were the parameters Louisa May Alcott was given on how to write women and end her stories in the 1850s. Academy Award-nominated director Greta Gerwig brings Alcott’s “Little Women” back to life 25 years after its last theatrical treatment, which …
“Will this agony ever end,” C-3PO says at one point. Anyone who believes Disney’s marketing ploy that, “this is the final “Star Wars” film,” hasn’t been paying attention.
Clint Eastwood’s latest film “Richard Jewell” is as slow and steady as they come. It’s not boring, the opposite actually. This is an extremely engaging film thanks mostly to the authentic performances.
“Creatures of the sky” they refer to themselves. Amazon’s big-budget movie “The Aeronauts” finally comes together after production delays and a few edits.
The director of “Carol” and “Far From Heaven” isn’t the guy you expect to helm an environmental crisis story that has the structure of “Erin Brockovich.”
It is likely that I’m one of the few people who haven’t seen the documentary “Won’t You Be My Neighbor,” despite having watched “Mr. Roger’s Neighborhood” as a child.
It’s not one of those movies you throw on late at night, nor is it something you can watch with divided attention. “The Report” requires full dedication from its audience and then some.
The fact that filmmaker Roland Emmerich (“White House Down,” “10,000 BC”) having to get funds outside the U.S. to finance his $100+ million epic of American history should have been a clue that more work was needed with this project.
This year’s seasonal romantic comedy finds our former dragon queen, fully unchained from the “Game of Thrones” TV series, eagerly soaring into a film career. If you have been unfortunate enough to catch Emilia Clarke’s previous films (“Me Before You,” “Terminator Genisys”) shot between “Game…
Filmmaker David Michôd ("Animal Kingdom," "The Rover") and fellow Australian Justin Kurzel ("Macbeth," "True History of the Kelly Gang") have more in common than hailing from the same country.
Reactions out of the early awards festivals raved at the plot's twists and turns, but these expectations should be tempered. Bong’s script works at a subtle and restrained pace. "Parasite" is a comedy and a tragedy that never abandons one genre for the other.
The comparisons between James Franco’s “The Disaster Artist” (2017) and “Dolemite Is My Name,” begin and end with two guys outside of the studio system wanting to make a movie on their own.
The festival will feature a cook-off and a concert headlined by Clay Walker.
Three time Oscar-winning filmmaker Ang Lee — “Brokeback Mountain,” “Life of Pi” (Best Director) and “Crouching Tiger, Hidden Dragon” (Best Foreign Language Film) — seems drawn to technological advancements that aid in telling stories that otherwise couldn’t be told.
You would never look at Todd Phillips filmography of “The Hangover” trilogy and “War Dogs,” and think to yourself, this guy could make one of the most controversial comic book adaptations of the year.
They should print T-shirts that read: “I Survived TIFF 2019.”
“Hustlers” has many montages in it. The most important is Jennifer Lopez’ entrance, which is wild, glittery, nasty and impressive. Her physicality, along with nearly everything else, is on full display.
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